Sömürgecilik ve ırkçılık olgusu bağlamında Piyanist filminin gösterge bilimsel analizi
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Dosyalar
Tarih
2014
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
İstanbul Ticaret Üniversitesi İletişim Fakültesi Medya ve İletişim Sistemleri Bölümü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Sinema var olan gerçekliği en doğru ve en açık şekilde temsil eden sanat dalıdır. Ancak gerçekte olan ile perdeye yansıtılan kimi zaman farklılık arz edebilmektedir. Bununla birlikte sinemanın ideolojik bir söylem aracı olduğunu söylemek mümkündür. İdeoloji ise dünya sinemasında yer etmiş önemli bir olgudur. Filmlerde ideolojik söylemlere sıklıkla rastlanılmaktadır. II. Dünya Savaşı’nın19.yüzyılda ideolojik kökenli çekilen filmler olduğu görülmektedir. Bu çalışmada ise Roman Polanski’nin 2002 yılında çekmiş olduğu Piyanist isimli filminde ise II. Dünya Savaşı’na sömürgecilik ve ırkçılık olgusu bağlamında yaklaşmakta Yahudi asıllı Polonyalı besteci Wladyslaw Szpilman’ın başından geçen trajik olaylar anlatılmaktadır. Film göstergebilimsel analiz yöntemi kullanılarak sömürgecilik ve ırkçılık olgusu bağlamında incelenmiştir. Filmde Almanya’nın Yahudiler’e uygulamış olduğu baskı ve kurduğu tahakküm gözler önüne serilmiş ve örnekler eşliğinde dönemin sosyo-ekonomik, sosyo-politik ve sosyo-kültürel durumu aktarılmaya çalışılmıştır.
Cinema is the art which is representing existing reality as most accurate and most obvious way. However, sometimes the reality and the screen may be different from each other. In addition to that, it is possible to say that cinema is a tool of the ideological discourse. Ideology is an important phenomenon embedded in the world cinema. We frequently can find ideological rhetoric in films. It can be observed that movies, which are related to World War II, are mostly ideological origin. In this study, the movie, the Pianist which is shooted by Roman Polanski in 2002, will be examined. This film approaches to World War II in the context of colonialism and racism cases. Moreover, Wladyslaw Szpilman, who is described Jewish descent and Polish composer, is narrated with his tragic event in this film. The movie is analyzed by using semiotic analysis method in the context of colonialism and racism events. In this film, it demonstrated that Nazis applie pressure and established domination to the Jews. Therefore, the socio-economic, socio-political and socio-cultural situation of that period has been made to transfer with examples. Semiotics is a great importance method in terms of film analysis. This research has focused on three indicators, which are icon, index and symbol. The film focuses more the index, which is important to create meaning the use of technical codes. The most fundamental factor of affecting the formation process of the Pianist movie is colonialism. Colonialism is the political and economic phenomenon, which has started in the late 15th century, and the discovery of a variety of different areas of the world of European countries to occur for the purposes of conquest. When we focus on literature, it is clearly seen that there are various definitions on the case of "colonialism". Colonialism is " the doctrine or behavior which envisages the acquisition colonial." The colonization is "a special form of interstate relations." It is an action that defines a public or colonization or colonized until the dominance of another ring (the rule) to impose and implement it (Meydan Larousse, 1992: 251). Today, a colonialism strategy has continued its impact by increasing. Colonial states are to be engaged in activities to make countries addicted to them with short, medium and long-term plans. The idea of the superior race is one of the film's touchstones. The superiority of the German race and desire to rule over the world has felt itself throughout the film. Before mentioning the superior race debate, it is important to analyze the concept of race. The word of race was used in the sense of race and generation pedigree firstly. Huxley says that the word of race refers to a word that originated in the Hebrew, in the West. Previously it was used to express the same ancestors from generation to animals. In the 1600s, it has described the human species (Aşar, 2009:9). On the basis of the idea of superior race is situated Nazi idea. Therefore, the rise of this idea is based on Nazism thoughts. A superior race debate emerged in the late 19th century and in the early 20th century and was based on the idea of a pure race. (Continued)
Cinema is the art which is representing existing reality as most accurate and most obvious way. However, sometimes the reality and the screen may be different from each other. In addition to that, it is possible to say that cinema is a tool of the ideological discourse. Ideology is an important phenomenon embedded in the world cinema. We frequently can find ideological rhetoric in films. It can be observed that movies, which are related to World War II, are mostly ideological origin. In this study, the movie, the Pianist which is shooted by Roman Polanski in 2002, will be examined. This film approaches to World War II in the context of colonialism and racism cases. Moreover, Wladyslaw Szpilman, who is described Jewish descent and Polish composer, is narrated with his tragic event in this film. The movie is analyzed by using semiotic analysis method in the context of colonialism and racism events. In this film, it demonstrated that Nazis applie pressure and established domination to the Jews. Therefore, the socio-economic, socio-political and socio-cultural situation of that period has been made to transfer with examples. Semiotics is a great importance method in terms of film analysis. This research has focused on three indicators, which are icon, index and symbol. The film focuses more the index, which is important to create meaning the use of technical codes. The most fundamental factor of affecting the formation process of the Pianist movie is colonialism. Colonialism is the political and economic phenomenon, which has started in the late 15th century, and the discovery of a variety of different areas of the world of European countries to occur for the purposes of conquest. When we focus on literature, it is clearly seen that there are various definitions on the case of "colonialism". Colonialism is " the doctrine or behavior which envisages the acquisition colonial." The colonization is "a special form of interstate relations." It is an action that defines a public or colonization or colonized until the dominance of another ring (the rule) to impose and implement it (Meydan Larousse, 1992: 251). Today, a colonialism strategy has continued its impact by increasing. Colonial states are to be engaged in activities to make countries addicted to them with short, medium and long-term plans. The idea of the superior race is one of the film's touchstones. The superiority of the German race and desire to rule over the world has felt itself throughout the film. Before mentioning the superior race debate, it is important to analyze the concept of race. The word of race was used in the sense of race and generation pedigree firstly. Huxley says that the word of race refers to a word that originated in the Hebrew, in the West. Previously it was used to express the same ancestors from generation to animals. In the 1600s, it has described the human species (Aşar, 2009:9). On the basis of the idea of superior race is situated Nazi idea. Therefore, the rise of this idea is based on Nazism thoughts. A superior race debate emerged in the late 19th century and in the early 20th century and was based on the idea of a pure race. (Continued)
Açıklama
Anahtar Kelimeler
Sömürgecilik, Irkçılık, Roman Polanski, Piyanist, Nazizm, Almanya, Üstün Irk, Colonialism, Racism, Roman Polanski, The Pianist, Nazism, Germany, Master Race
Kaynak
Intermedia Uluslararası Hakemli İletişim Bilimleri E-Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
1
Sayı
25
