Close to reality in the digital era: The Batman trilogy

dc.contributor.authorKodak, Dilge
dc.date.accessioned2023-11-08T13:37:57Z
dc.date.available2023-11-08T13:37:57Z
dc.date.issued2023en_US
dc.departmentFakülteler, İletişim Fakültesi, Görsel İletişim Tasarım Bölümüen_US
dc.description.abstractA positive perception towards the digitalization process draws attention. However, a return to retrospective understanding has started with postmodern practices. Cinema is also an art form that is at the center of these discussions. Some directors move away from digital effects day by day and stay closer to the pellicle. British director Christopher Nolan is also one of the auteur directors who are more distant to digitalization. Nolan, who prefers the absence of digital interventions as much as possible in his films and realizing the most realistic forms and forms, is closer to the pellicle. The aim of this study is to evaluate and discuss the discussion of returning to analog and reality on the axis of Nolan's cinema. The DC Comics character Batman, first adapted to the cinema in 1989, has been remade as a trilogy by Christopher Nolan since 2005. The Batman Trilogy, which is a sequel, will be the focus of the discussions in the study.en_US
dc.identifier.doi10.4018/978-1-6684-7864-6.ch006en_US
dc.identifier.endpage106en_US
dc.identifier.scopus2-s2.0-85163464350en_US
dc.identifier.scopusqualityN/Aen_US
dc.identifier.startpage90en_US
dc.identifier.urihttps://hdl.handle.net/11467/6961
dc.identifier.urihttps://doi.org/10.4018/978-1-6684-7864-6.ch006
dc.indekslendigikaynakScopusen_US
dc.language.isoenen_US
dc.publisherIGI Globalen_US
dc.relation.ispartofExaminations and Analysis of Sequels and Serials in the Film Industryen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_US
dc.titleClose to reality in the digital era: The Batman trilogyen_US
dc.typeBook Chapteren_US

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