Kodak, Dilge2023-11-082023-11-082023https://hdl.handle.net/11467/6961https://doi.org/10.4018/978-1-6684-7864-6.ch006A positive perception towards the digitalization process draws attention. However, a return to retrospective understanding has started with postmodern practices. Cinema is also an art form that is at the center of these discussions. Some directors move away from digital effects day by day and stay closer to the pellicle. British director Christopher Nolan is also one of the auteur directors who are more distant to digitalization. Nolan, who prefers the absence of digital interventions as much as possible in his films and realizing the most realistic forms and forms, is closer to the pellicle. The aim of this study is to evaluate and discuss the discussion of returning to analog and reality on the axis of Nolan's cinema. The DC Comics character Batman, first adapted to the cinema in 1989, has been remade as a trilogy by Christopher Nolan since 2005. The Batman Trilogy, which is a sequel, will be the focus of the discussions in the study.eninfo:eu-repo/semantics/restrictedAccessBook Chapter90106N/A2-s2.0-8516346435010.4018/978-1-6684-7864-6.ch006